Book Reviews

Freddie Mercury: A Kind of Magic Review

Freddie Mercury: A Kind of Magic by Mark Blake

Rating: ⭐️⭐️⭐️/5

Mark Blake’s Freddie Mercury: A Kind of Magic is a biography based on the legendary lead singer of Queen. The biography looks into the singer’s childhood and life before he reinvented himself into the icon Freddie Mercury, his years before Queen became a band, and of course, the years Queen was together.

The biography was relatively short. I would have loved more information, but the author made up for that with his passion for Queen’s music. It was evident throughout the entire book that Blake was an honest fan of Queen. He handled every stage of Mercury’s life with care. He did his best to represent who Mercury was as a human being and artist. I loved that the book wasn’t just a list of facts. It told a story and kept it interesting with antidotes from Mercury’s life. A Kind of Magic features multiple quotes from the people closest to Mercury, such as Queen band members Brian May, Taylor Roger, and John Deacon. Blake even included quotes from the man himself. It felt like I was getting the authentic version of Mercury’s life and not a fictitious tale of the many rumors surrounding the legend.

As a music lover, it’s nice to read more about the recording process of one of the greatest bands in history. I also loved how Blake described in much detail each Queen album’s musical aspects. The pictures featured in the biography were stunning! I had never even seen some of those pictures before, which was a delightful surprise.

Overall, I enjoyed reading Freddie Mercury: A Kind of Magic. However, I hope to find another book that goes even further into the musical genius that is Freddie Mercury. It was a tad more basic in the overview of his life than I had expected. Still, Blake’s sensitivity and love for the book’s subject made it enjoyable.

Book Reviews

Ecstasy Review

Ecstasy by Mary Sharratt   

Rating: ⭐️⭐️⭐️⭐️⭐️/5

Alma Schindler was considered the most beautiful woman in Vienna before marriage. She lit up a room the minute she strolled in and enchanted every man that came across her. But she was not only a socialite. Alma was an ambitious and creative young woman who strove to make a name for herself as a composer. Her talent, drive, and beauty are probably what led to the men in her life falling in love with her. The most famous of her lovers was the great composer and conductor Gustav Mahler, whom she would marry at 22.

Mary Sharratt’s Ecstasy explored the life of Alma Mahler, née Schindler; from her sexual awakening at the young age of 19 to her first husband, Gustav Mahler’s death when she was 32. As a young woman living in a society full of artists, architects, and the intelligentsia, Alma, as a character, was raised believing that she could take her love for music and create a life for herself independent of a man. But as she experienced the first hint of sexual desire at 19 years old, Alma found that there was a whole other aspect of life she wanted to explore: love and lust.

As a character, Alma is impossibly complicated, and Sharratt displayed this perfectly by representing the two warring sides of Alma as the demure and obedient Eve and the defiant and carnal Lilith. In the novel, it seems Alma was constantly fighting herself. Even before she was married, the need to compose and live her life to the fullest as a New Woman of the early 1900s was challenged by the worry of being considered the “third sex” or alien compared to traditional women. Once Alma was married to Mahler, that internal war only grew more violent as she became a mother and was constrained to the ideas of what Mahler thought a wife should be. Sharratt’s narration of Alma’s inner turmoil as a woman drowning in her husband and European society’s views of a woman’s place in the world left me, as the reader, desperate for Alma’s musical survival.

Alma’s sheer passion for music was what I treasured most as I read Ecstasy. Any music lover would feel a particular connection to Sharratt’s account of Alma’s total enraptured state after hearing a dazzling piece of music. Sharratt’s effort in describing the music Alma heard made it easy to feel how significant music was in Alma’s life. To see Mahler force Alma to stop composing and focus on supporting his music was hard to read after seeing Alma’s clear adoration for listening and composing music. I was in a state of despair as, chapter after chapter Alma sank deeper and deeper into her own depression because of her husband’s selfishness. That despair turned into elation as Mahler finally saw that he was hurting his precious Almschi and started promoting her compositions. The reawakening of Alma as a composer was wonderful to read after worrying that side of her was lost forever.

The title of Ecstasy not only hinted at Alma’s passion for music but also her passion for the physical pleasures of life. From the very first chapters, Sharratt narrates a young woman’s journey experiencing the bliss and enveloping hunger for physical expressions of love for the very first time. Alma’s carnal desires were an important part of expressing her love for the men in her life in the novel. Sharratt explored a woman’s desires that society would have frowned upon by society in the 1900s and embraced the idea of women having just as much sexual freedom as men.

The final battle between Alma’s two beings inside of her, Eve and Lilith, was one of the best moments for me. Finally, Alma let all her pain out on Mahler and allowed the fierce Lilith to spring free. The absolute freedom of body, mind, and soul Alma experienced was gratifying in every sense of the word. This is what Ecstasy is all about. The ruthless war and final triumph of a woman finding her place in the world.

I would recommend this historical fiction gem to all that have a deep love for music and wants to learn about the meaning of being a woman in the early 1900s.

Book Reviews

Mozart’s Sister Review

Mozart’s Sister by Rita Charbonnier   

Rating: ⭐️⭐️⭐️⭐️/5

When the name Mozart comes up, you probably immediately think of the legendary composer who died much too young, Wolfgang Amadeus Mozart. Many forget that Wolfgang was not the only talented child in the Mozart family.

Charbonnier’s novel Mozart’s Sister tells the story of dear Nannerl, also known as Maria Anna Walburga Ignatia Mozart, who found her talent being pushed aside so her younger brother could learn and grow as a musician and composer. The story itself is shaped as a retelling from Nannerl in letters exchanged with her student Victoria’s father, Armand d’Ippold, who develops a romantic relationship with Nannerl. From her eyes, you see the joyful and loving connection Nannerl and Wolfgang had as young children. And you also see how their relationship grew strained and ultimately nonexistent. It was horribly sad to see their love for one another be poisoned by their father, Leopold Mozart’s ambition for his son.

I hated that this young, talented women’s dream of being a professional musician and composer was stamped out by her father. It was excruciating to see Nannerl give up her love for music and composing and let this sense of bitterness and depression take over her being. But thankfully, the author did a beautiful job of showing how Nannerl’s love for music came back to her later in life.

I didn’t much care for the romance between Armand and Nannerl. And I was delighted to see the romance between her and Baptist blossom later in the book. I wished the author had given more moments between those two. We get pages and pages of Armand, but once he is out of the picture, we are so close to the end of the book that Baptist doesn’t get the attention he rightfully deserves.

I loved the ending of the book! I completely adored the amount of humor and content Nannerl experiences in those final pages after having years of unhappiness in the first half of her life. I couldn’t put Mozart’s Sister down, and I would recommend it to anyone with a love for music and historical fiction.

Book Reviews

Clara Review

Clara by Janice Galloway   

Rating: ⭐️⭐️/5

I can’t say I loved reading this book. I can’t say I hated this book. I honestly don’t know what I expected when I chose to buy Clara, but I will admit I thought I would enjoy it more.

Galloway’s novel is a historical fiction about the composer, pianist, wife, and mother, Clara Schumann. You don’t hear of many female composers and performers who lasted as long as she did and persevered in the male-dominated industry of the 19th century. I thought it would be an exciting read.

As I was reading, I felt sad, angry, and, more often than not, suffocated. I hated how Clara as a character was treated in the book. Her father, Herr Wieck, was controlling and cruel. Her husband, the famous Robert Schumann, could be just as horrible as Wieck. Ever since I started taking an interest in music history, I’ve heard about the great love story that is Clara and Robert, but for me, it wasn’t a romance. It was a tragic story of two lonely souls. I know Robert Schumann suffered greatly with his mental health, and it didn’t help that doctors of his time couldn’t help him much. I know some things he said and did to Clara were not easily controllable. I get that, but it didn’t stop me from feeling incredibly sad for her. Clara had much to give to this world. The fact she had to deal with all the shit two of the most influential men in her life broke my soul. It was incredibly depressing seeing how much Clara had to hold back her emotions, walk on eggshells, and cautiously speak and react in a way that didn’t somehow hurt her father or husband.

Two things I did enjoy were that the author didn’t sugarcoat Clara’s life and showed how strong Clara was throughout her life. However, I wished the book wouldn’t have ended when Robert died. I would have liked to see her life after his death. She was more than just a wife to Robert Schumann; I wanted to see more of that.

Would I recommend this novel? Probably not.

Book Reviews

A History of Opera Review

A History of Opera by Carolyn Abbate and Roger Parker   

Rating: ⭐️⭐️/5

I bought A History of Opera over a year ago because I work for an opera company and I thought I might as well learn more about opera itself. This was a slow read for me. Have I enjoyed other music history books more than this one? Yes. Was it a bad book? No.

There was a lot more music analysis in A History of Opera than I thought, but I should’ve expected that because music history always involves at least some music analysis. I did like learning a bit more about the opera giants that I’ve heard so much about in school and work, such as Mozart, Verdi, and, of course (unfortunately), Wagner. I also liked that the book encompasses the very beginning of opera’s formation to the present-day struggles of composers writing new operas and the museum culture of opera. I would have liked a bit more storytelling regarding the actual history of opera, but overall it was an okay read.

If you love music history and music analysis/theory and are interested in opera, you will enjoy A History of Opera.

Book Reviews

The Lives and Times of the Great Composers Review

The Lives and Times of the Great Composers by
Michael Steen 

Rating: ⭐️⭐️⭐️⭐️/5

I’m not going to lie. This book took awhile to get through but I felt particularly accomplished once I finished it. I love that the book didn’t analyze the composers music, but instead gave us a look into their lives in regards to what was happening in history. Steen discusses multiple composers such as Handel, Mozart, Beethoven, Rossini, Tchaikovsky, and Schubert. Most of the composers got their own chapter filled with juicy details about their personal lives and careers. And it’s sad to say that most of these composers did not have happy endings.

If you are looking for a book that goes into the music analysis, this isn’t for you. This book is more for those that love history and are curious to find out what a day in the life of was like for some of the most legendary composers of the 16 century all the way to the early 20th century. Great book for music history lovers!